Nietsche on "Apollonianism and Dionysianism" (photocopy)

(1994)A survey of apollonian and dionysian tendencies as seen through object relations approaches in art therapy. Masters thesis, Concordia University.

Friedrich Nietzsche, Apollonianism and Dionysianism

Apollonian and Dionysian - Wikipedia, the free encyclopedia

Apollonian and Dionysian - RationalWiki

There is a great distinction in Apollonian music and Dionysian music. For instance an Apollonian scale would be one with easy to remember notes and order. ... Dionysian characteristics can be found in two of my favorite movies, Memento directed by Christopher Nolan and Mulholland Dr. by consistently Dionysian director David Lynch. ... Perhaps one person hears something described as Dionysian and finds it appealing. ... I believe that we all can get along just fine without these labels of Apollonian and Dionysian separating and keeping art and music apart. ...

Nietzsche And Apollonianism And Dionysianism - Essayworld

The first fifteen chapters address the birth of Greek Tragedy which he believes took place upon the meeting of the Apollonian and the Dionysian world views. ... Nietzsche assumes the two gods, Apollonian and Dionysian, to be at opposite ends of the art spectrum without any sort of evidence. ... The shield of Apollo was the only thing protecting the Apollonian Greeks from the Dionysian barbarians. ... This new Dionysian form of music was very different than the previous Apollonian form. ... Nietzsche then goes on to explain that while the Dionysian had its fault, so did the Apollonian. ...

Apollonian and Dionysian - The Free Dictionary
Nietzsche believed that both forces werepresent in Greek tragedy, and that the true tragedy couldonly be produced by the tension between them. He used thenames Apollonian and Dionysian for the two forces becauseApollo, as the sun-god, represents light, clarity, andform, whereas Dionysus, as the wine-god, representsdrunkenness and ecstasy.In order to get closer to these twoinstinctual drives, let us think of them next as the separate artistic worlds ofdreams and of intoxication, physiological phenomena between which we can observean opposition corresponding to the one between the Apollonian and the Dionysian.We will have achieved much for the study of aesthetics when we come, not merely to a logical understanding, but also to the immediately certain apprehension of the fact that the further development of art is bound up with the duality of the Apollonian and the Dionysian, just as reproduction depends upon the duality of the sexes, their continuing strife and only periodically occurring reconciliation. We take these names from the Greeks who gave a clear voice to the profound secret teachings of their contemplative art, not in ideas, but in the powerfully clear forms of their divine world.The modern world has inherited Socrates’ rationalisticstance at the expense of losing the artistic impulses related tothe Apollonian and the Dionysian. We now see knowledge as worthpursuing for its own sake and believe that all truths can be discoveredand explained with enough insight. In essence, the modern, Socratic,rational, scientific worldview treats the world as something underthe command of reason rather than something greater than what ourrational powers can comprehend. We inhabit a world dominated bywords and logic, which can only see the surfaces of things, whileshunning the tragic world of music and drama, which cuts to theheart of things. Nietzsche distinguishes three kinds of culture:the Alexandrian, or Socratic; the Hellenic, or artistic; and theBuddhist, or tragic. We belong to an Alexandrian culture that’sbound for self-destruction.
Dionysianism is voluntarism.1 Apollonianism and Dionysianism each claimed hegemony over man

Apollonianism and Dionysianism: dreams and intoxication

Nietzsche believed that in order to achieve this a person had to obtain a balance of two parts of his mind, Apollonianism and Dionysianism. Apollonian intellectuality is very clear, calm, and full of reason. Dionysian passion, on the other hand, is full of obscurity, disorder, irrational behavior, and even hysteria. In ancient Greek mythology Apollo and Dionysus were two gods who grew up side by side. The two contained more differences than any two beings ever. They saw everything as a competition between them selves (par.1).

Friedrich Nietzsche, Apollonianism and Dionysianism * Simone Weil, Spiritual Autobiography

Nietzsche, Dionysus and Apollo - History Guide

Nietzsche also describes about dream and illusion and even connects them with Apollonianism and Dionysianism. As long as dream concerns, he talks about real dream and daydreaming. Day dreaming is a fantasy but it is the world of perfection or completeness. Even in the real dreaming, we enter the fantasy world, which is also perfect world. The world of reality is imperfect. Nietzsche says that Greek artists loved dream more than reality and they claimed that in the dream world they could get the vision of the Gods and Goddess to whom they worshiped.

which is the dichotomy between quasi-material Apollonianism and primal Dionysianism.

Free Nietzsche Essays and Papers | page 2

Nietzsche would like to create a balance between two forces, Apollonianism and Dionysianism, in which intellect and passion work together. Dionysianism relates to passion and hysteria, and Apollonianism relates to education and art...