The Night Face Up by Julio Cortezar

The story of The Night Face Up by Julio Cortezar presented people with a sense of loss in their interpretations because it jumped from one seen to the next in such a way that it became less and less predictable as the story continued. The nameless character of the main character gave an even more eerie sense to the reader who started seeing his or her experiences in the small details of each of the outlines of the sensory experiences, such as delights at the taste of broth or water. Then there were the offsets in the dream sequences where it seemed that all the "action  took place because every sequence was accelerated more than the first " seeming " reality of the motorcycle world. Following the dream sequences there came the suspensions when the character appeared back in the hospital and was preparing to move back into another dream sequence.

He adapted Julio Cortazar's short story, The Night Face Up.

The Night Face Up - Cabrillo College

It's Magical Realism: The Night Face Up

You call this short story from Julio Cortázar Magical Realism, presumably because your instructor/professor has taught it as such, but everything I have read and studied, including under well known professors at the University of Wisconsin-Milwaukee´s Department of Spanish and Portuguese, are adamant that "The Night Face Up" is Fantastic. Do some research on Fantastic and Magical Realism works and theories as well as on Julio Cortázar, and you´ll find that he clearly writes about the Fantastic.

“The Night Face Up” is one of Julio Cortazar’s better readings

This isn't exactly reading notes, but rather Chapter 91 of my book ms. Living Invention, or, The Way of Julio Cortazar. But it does offer my brief reading of "The Night Face Up"

The Night Face Up - Bunker Hill Community College
The Night Face Up - Cabrillo College PDF View and Downloadable. pdf file about pdf selected and prepared for you by browsing on search engines. All rights of this The Night Face Up - Cabrillo College file is reserved to who prepared it.The slippage between center and periphery informs Julio Cortázar's short story "La noche boca arriba," translated as "The Night Face up" (1985: 66-76). My reading of the story as an allegory - while keeping in mind that every reading act is in itself already allegorical - focuses on the unnerving oscillation between the here and the there. "The Night Face Up" allegorizes the tension between the hegemonic space and that of Ancient Aztec civilization, in its evocation of the war of the blossom, a ritual war in which prisoners were ritually sacrificed. The story begins with a motorcyclist euphorically 'zipping' through the streets of downtown Paris, only to crash while trying to avoid a woman crossing the street. An ambulance takes him and once in the hospital, he starts to hallucinate, dreaming that he is being chased in the jungle. Only in waking moments can he bring himself back to the present reality of the accident and the Paris hospital. Slipping in and out of consciousness, he goes back and forth into the dream, and exhausted from running he is finally captured and taken to an Aztec altar to be offered to the gods. The Aztec dream in the end usurps the narrative and assumes the status of waking reality - the motorcycle accident has become "the infinite lie," in which he rides "an enormous metal insect that whirred between his legs," while Paris has become "an astonishing city, with green and red lights that burned without fire or smoke" (76). While being tied down face up just before the sacrifice, the 'reality' of the present and the motorcycle accident are but a dim afterthought.
“The Night Face Up” is a short story embedded with complexities, written by Julio Cortazar

Glencoe World Literature Unit 6: Part 2 - "The Night Face Up"

"Heartbeat" ("Latidos") is inspired by the tale of Julio Cortazar "TheNight face up" ("La noche boca arriba"), which raises a parallelbetween the present and the past, reality and fantasy, life and death.

Can someone find the whole story of

“The Night Face Up” by Julio Cortazar

When the writer uses the technique of magical realism, he tries to give magic the status of reality. Works like Asturias's Hombres de Maiz ('Men of Maize'), Rulfo's Pedro Paramo and Marquez's Cien anos de soledad ('One Hundred Years of Solitude') are primary examples of magical realism. Short stories like Carlos Fuentes's Chac Mool, and Julio Cortazar's La noche boca arriba ('The Night Face Up') are also defining examples of this form of writing. In these works the native and popular beliefs are presented as true knowledge rather than as foreign, unbelievable folklore. In the majority of these works, the writers bring the past to life, and force the reader to realize that the past is a vital part of human beings.

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Stories such as “Axolotl” and “The Night Face Up ..

Finally, Argentinian radio artist and producer Hernán RissoPatrón translated into sound Julio Cortázar's short story"La noche boca arriba" ("The night face up") for the radio. The titleof the work is "Heartbeats" ("Latidos") and it was produced by theLaboratory LEAR in Buenos Aires.